London: John Cary, 1813. Unframed Print. ENGRAVED TITLE ONLY. Framed with botanical motifs of grapevines, lilies, and acanthus leaves, it evokes a classical aesthetic that elevates the atlas from mere utility to an object of refinement. These flourishes suggest the Enlightenments reverence for nature and knowledge, uniting visual beauty with..... More
London: William Darton, 1820. Unframed Print. ENGRAVED TITLE ONLY. William Dartons engraved title page blends Quaker ideals with visual grandeur. Centred on Penns Treaty, it promotes peace and mutual respect within a global context. Darton's commitment to moral education and artisanal clarity made this atlas both a didactic tool and..... More
London: Robert Graves, Undated, c.1809. Unframed Print. Robert Graves was renowned for his historical engravings, which often depicted military figures and events. This particular illustration portrays Corporal Thomas Brown in 18th-century military attire. He is dressed in a distinguished uniform featuring a buttoned coat, a sash across his chest, and..... More
Nuremberg: Homannian Heirs, c.1740. Unframed Print. A copper engraved allegory c.1740, featuring putti, allegorical figures, and a celestial chariot encircling a globe marked Europa, Asia, and Africa. The image celebrates Enlightenment ideals; global exploration, scientific inquiry, and imperial authority, underscored by the Latin privilege of the Holy Roman Emperor. Possibly..... More
London: Thomas Kelly, Paternoster Row, 1815. Unframed Print. The engraving measures 18 x 23 cms. Neatly prepared in a thick card ivory coloured card mount, measuring 26.5 x 33.5 cms. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Special Interest. This item may require more postage than the rates..... More
London: Illustrated London News, August 1861. Unframed Print. The engraving measures 25 x 35 cms, the entire sheet measures 27.5 x 40 cms. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Antiquarian & Rare. This item may require more postage than the rates shown for delivery outside the UK..... More
Undated, c.1850. Unframed Print. The engraving measures 19 x 24.5 cms, the entire sheet measures 25 x 34.5 cms. Some minor foxing in the plain margins. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; Antiquarian & Rare. This item may require more postage than the rates shown for delivery..... More
London: Thomas Kelly, Paternoster Row, Nov 23, 1816. Unframed Print. The engraving measures 16 x 20 cms. Neatly prepared in a thick card ivory coloured card mount, measuring 26.5 x 33.5 cms. Category: PRINTS : Antiquarian Interest; PRINTS : Historic Interest; This item may require more postage than the rates..... More
Published Jan 1st, 1810, by Rudolph Ackermann, 101 Strand, London. Unframed Print. Originally established as a training ground for young cadets Chelsea Military College was a well-known institution that provided a top-notch military education and training. Established in the early 19th century, this college, now part of Sandhurst, has a...... More
London: Laurie and Whittle, 1806. Unframed Print. Robert Laurie and James Whittle were prominent London map and print sellers, operating from 53 Fleet Street. Their firm, which evolved from Robert Sayers earlier business, was a cornerstone of British cartographic publishing in the late 18th and early 19th centuries. Letterpress 21..... More
London: Henry George Collins, c.1840. Unframed Print. TITLE PAGE ONLY. Atlases of this era werent just functional, they were status objects, designed to project worldliness and imperial reach. The title page illustration operates like a microcosm of Victorian ideals: order, exploration, dominion, and grandeur. Engraving 22 x 29 cms, sheet..... More
London: Henry George Collins, c.1840. Unframed Print. TITLE PAGE ONLY. Atlases of this era werent just functional, they were status objects, designed to project worldliness and imperial reach. The title page illustration operates like a microcosm of Victorian ideals: order, exploration, dominion, and grandeur. Engraving 22 x 29 cms, sheet..... More
London: G.F. Cruchley, 1868. Unframed Print. The title page embodies Victorian ideals of order, empire, and enlightenment. Its ornate typography, heraldic crest, and global scope convey authority, refinement, and imperial reach. Designed to educate and impress, it transforms geography into a moral and national endeavour, mapping not just space, but..... More
Unframed Print. Friedrich Bernhard Werner, who was born in Silesia in 1690, lived an adventurous early life as a military engineer and cartographer, dabbled as a quack doctor, worked with a theater in Prague, and translated librettos for traveling performers. After his marriage in 1718, he redirected his efforts towards..... More
Vincenzo Maria Coronelli, c.1696. Unframed Print. TITLE PAGE ONLY : The Baroque title page from Isolario dell'Atlante Veneto (1688), featuring classical architecture, cherubs holding a scroll, and a reserved oval likely for a cartouche or coat of arms. It embodies Coronellis cartographic grandeur, blending scholarly ambition with Venetian flourish in..... More
Unframed Print. A finely hand coloured steel engraving titled Costumes Hollandais - Amiral De Winter - Pichegru, engraved by Reville and Couche after designs by Lacauchie and Couche, and issued in 1835. The plate is divided into two registers: the upper scene, headed France Militaire, presents a pair of Dutch..... More
Amsterdam: Johannes Jacobi Schipper, 1657. Unframed Print. Ornate engraved dedication page from Historiae Naturalis de Avibus (1657), featuring a Latin tribute to George Nassau Clavering, Earl Cowper. Rich with heraldic imagery of unicorn supporters, crown, and arms, it frames a putto inscribing a globe, symbolising knowledge. A striking fusion of..... More
Amsterdam: Michel Colin, Undated, c.1616. Unframed Print. The page measures 17 x 22 cms, printed to both sides. There is loss of blank margin, and an old lower margin repair. A rather rare survivor of a very uncommon publication. Category: PRINTS : Antiquarian Interest; Antiquarian & Rare; PRINTS : Historic..... More
1807. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1816. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1803. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1815. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1815. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1830. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
1835. Unframed Print. A glimpse into stylish Regency England. An era marked by refinement, invention, and visual rhythm. Whether surveying architecture, transport, or domestic ornament, such images evoke a world where elegance shaped everyday life and utility was often framed in style. An original 19th-century engraving, selected for its period..... More
